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dc.contributor.authorAkpabio, E.
dc.contributor.authorMustapha-Lambe, K.
dc.date.accessioned2010-02-24T09:47:22Z
dc.date.available2010-02-24T09:47:22Z
dc.date.issued2008
dc.identifier.citationAkpabio, E. & Mustapha-Lambe, K. (2008) Nollywood films and the cultural imperialism hypothesis, Perspectives on Global Development and Technology, Vol. 7, pp 259-270en_US
dc.identifier.issn1569-1500
dc.identifier.urihttp://hdl.handle.net/10311/463
dc.description.abstractFrom the viewpoint of the cultural imperialism hypothesis and its complications, the overall aim of this study was to find out if foreign films still had a stranglehold on Nigerian audience members. The findings indicate that a majority of respondents watch and have a favorable attitude towards Nigerian home video films. However, in terms of preference between local and foreign films, a small percentage indicated preference for the former. The study concludes that the high squality of production of American films accounts for the favorable views held by respondents, even though it is apparent that these and other foreign productions no longer have a captive market in Nigeria.en_US
dc.language.isoenen_US
dc.publisherBrill academic publishersen_US
dc.subjectNollywood, imperialism, home videos, film, Nigeriaen_US
dc.titleNollywood films and the cultural imperialism hypothesisen_US
dc.typePublished Articleen_US


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